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iamcamdon:

speckster:

reptilereasons:

this period of the simpsons where homer is pretty clueless but still tries hard to be a good father because he does love his kids is my favourite, so many feelings

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GROSS SOBBING

Something I really really liked about a few of the Homer/Lisa episodes in the earlier seasons of the show was how it paints a really sweet yet unconventional father/daughter relationship, basically in the way that Homer is a parental force to Lisa, so too is Lisa a parental force to Homer. 

It’s really highlighted in one particular scene in the “future” episode “Lisa’s Wedding”, where Homer has a nice conversation with her just before her wedding.

Homer: Little Lisa, Lisa Simpson.  You know, I always felt you were the best thing my name ever got attached to. Since the time you learned to pin your own diapers, you've been smarter than me.
 Lisa: Oh, Dad --
Homer: No, no, let me finish.  I just want you to know I've always been proud of you.  You're my greatest accomplishment and you did it all yourself.  You helped me understand my own wife better and taught me to be a better person, but you're also my daughter, and I don't think anybody could have had a better daughter than you--
 Lisa: Dad, you're babbling.
Homer: See?  You're still helping me.


(Source: mysimpsonsblogisgreaterthanyours)

zuviosgemini:

disneyaddictgirl:

elphabaforpresidentofgallifrey:

disneydreamer27:

Manipulation.

tangled is the worst one if you think about it

You really think Mother Gothel is worst than Frollo? All she told Rapunzel was that the world outside her tower was dangerous and it would hurt her physically. Frollo told Quasimodo everyday that he was a monster. I think someone has to listen to the song “Out There” again. Also when Frollo is reviewing the alphabet with Quasimodo the words used are Abomination, Blasphemy, Contrition, Damnation, Eternal Damnation. So don’t you dare say that Mother Gothel has anything on Frollo. Quasimodo was truly restricted in a negative environment. 

Amen to the Frollo vs Gothel comment.

(Source: aetheling)

waitinghopingliving:

nekala-vas-normandy:

takemewherethestreetlightsglow:

all-the-ships-all-of-them:

fevra:

have u ever had a depersonalization moment when you look at yourself in the mirror and think wow this person is me and i have this body and this life and everything feels so strange why am i me and not someone else

YES OTHER PEOPLE FEEL IT TOO

it’s a symptom of anxiety

This happens to me a lot and it’s really jarring.

Shit

boo-author:

eshusplayground:

actualgothicheroine:

eshusplayground:

This makes me think about how the simple composition of a frame or shot can make a female character or character of color seem more or less important to a scene or narrative.

And I think this really drives home the point that there is a difference between viewing fiction as a window to another reality vs. a constructed story with meaning.

So many times I’ve seen what I story was trying to tell me about it’s characters, their roles, and their relationships. But the question you’re posing is one that I never thought to pose regularly when I view stories, how does the visual aspects of storytelling contribute to how the narrative and audience views a female character or person of color?

One thing I that’s very apparent is objectification. So,so many times, a female character will be introduced via the camera looking them up and down long before focusing on the face. We’re so used to things like that, it’s jarring when the same is done to a man, like the scene when Thranduil is introduced in The Hobbit.

One other thing we know as very apparent is when characters of color are placed in the background or off-center in group shots, leaving the white characters front and center.

Exactly. It’d be interesting just to go through a few movies or TV shows and examine their visual composition and see how that lines up.

This is colliding with a lot of thoughts I’ve been having lately vs. the idea of TV shows/movies as “this is what happened” vs. “this is the story of what happened”.

And also how protective the traditional Curators of Canon are against the more critical analysis and expansive views taken by (primarily female) fandom.

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